Japanese Oscar Nominee ‘Black Box Diaries’ Not Released in Japan

“Black Box Diaries,” directed by Shiori Ito, addresses Japan’s justice failings in sexual assault cases but is not screened in its home country despite an Oscar nomination. After screening in over 30 countries, local distribution faces challenges from both theaters and a streaming service’s refusal. Accusations against Ito further complicate the film’s reception in Japan, reflecting a pattern of reluctance to showcase critically challenging content.

Shiori Ito’s film “Black Box Diaries,” a documentary addressing the failures of Japan’s justice system in sexual assault cases, is nominated for Best Documentary Feature at the Oscars. Despite this historic nomination, it cannot be viewed in Japan. The film chronicles Ito’s pursuit of justice after reporting her rape by a well-known television journalist, highlighting her challenges with authorities. Though internationally recognized, with screenings in over 30 countries, Japanese distribution remains elusive due to disinterest from local theaters and streaming services.

In early 2024, the Japanese branch of a significant streaming platform declined to distribute the film, limiting its availability. Complications arose when former supporters of Ito accused her of using footage without consent. Japan has a history of hesitancy towards showing domestically critical films that received acclaim abroad. Similar cases include “The Cove,” an Oscar-winning documentary about dolphin hunting, which was delayed for a local release, illustrating a pattern of censorship towards unflattering portrayals.

The refusal to release “Black Box Diaries” in Japan highlights ongoing issues with the portrayal of sensitive topics in film, particularly regarding sexual assault and the justice system. Despite international acclaim, domestic distribution challenges reveal a broader reluctance within Japan to address such critical narratives. Continuing this trend could impact future filmmakers and their ability to present vital social issues. Ito’s documentary remains significant as the first full-length documentary by a Japanese director nominated for an Oscar, yet its absence from local screens raises questions about representation and openness in Japanese cinema.

Original Source: www.nytimes.com